DH101: Introduction to Digital Humanities

Instructor: Katie Knowles

Contact Information: knowle50 at msu.edu

Office Hours: by appointment

Course Description

In this course, students will develop a basic understanding of digital humanities (DH) tools and methods. Students will not only be asked to investigate the foundations of digital humanities as a field, but also begin to develop practical skills in utilizing digital tools related to web development, archiving, editing, data mining, network analysis, and mapping. Students will be asked to develop a project tied to their own discipline using one or more of these tools or methods.

Course Goals

  • Students will be able to define the digital humanities and outline the main methodologies of the discipline.
  • Students will learn how to navigate a variety of digital humanities tools and software to produce digital projects.
  • Students will be able to articulate how the digital humanities is applicable to their own subject area and identify how DH is used in their field.
  • Students will complete a digital project on a humanities topic of their choosing using tools related to archiving,  editing, data mining, network analysis, or mapping.

Course Format

This course is a hybrid course. The majority of course content will be distributed online, but we will meet as a group once weekly in order to discuss course activities and troubleshoot or workshop digital projects.

Required Materials

To work within the framework of DH’s attempt to make digital content, tools, and other resources widely available for everyone, materials for this course will be open source or available through the library.

Policies

Absences

As this course meets only once weekly, it is crucial that you are present when we meet. You have two free absences. The third and fourth absence will result in a penalty grade. With your fifth absence, you will have missed one third of our meetings and will fail the course.

Accommodations

Michigan State University is committed to providing equal opportunity for participation in all programs, services and activities. Requests for accommodations by persons with disabilities may be made by contacting the Resource Center for Persons with Disabilities at 517-884-RCPD or on the web at rcpd.msu.edu. Once your eligibility for an accommodation has been determined, you will be issued a verified individual services accommodation (“VISA”) form. VISA forms are not retroactive—you must provide me with this document before any accommodations are required.

Late Work

Late work of any kind will not be accepted. If you have concerns that you will not be able to complete your classwork by the deadline, please contact me in advance of its due date.

Plagiarism

Plagiarism of any kind will not be tolerated in this course and is grounds for failure. Plagiarism is the use of another person’s words or ideas without acknowledgement (this includes paraphrasing!). Additionally, you may not submit your own work from previous classes—self-plagiarism gives you an unfair academic advantage over the rest of the class. If you have any questions or concerns about plagiarism, please meet with me so we can work through them. 

Assignments

Blog posts (20%)

At the beginning of the semester, you will be asked to sign up to write three blog posts throughout the semester based on the various tools will we be using. These posts should be about one double spaced page and address what you tried to do with the digital tool, what worked, what was difficult, and how this tool might be useful in your field (for your own ideas, or in ways it has been useful in existing projects).

Weekly assignments and participation (25%)

A large part of learning to use digital humanities tools is tinkering. Therefore, you will not be graded on your ability to create a complete, cohesive work with the assigned digital tool each week. However, you are expected to explore these digital tools and participate in our in-class workshopping each week. Additionally, before the class meeting, you will be expected to interact with your assigned discussion group to troubleshoot and try out your ideas related to the tools and concepts outside of our class meetings.

Project proposal (15%)

For your midterm assignment, you will be asked to complete a brief project proposal consisting of a paragraph description of what topic you would like to cover and what tool you hope to use accompanied by a ten entry annotated bibliography covering the various projects and key DH articles in your field. This bibliography can be in whatever citation style is used in your major, but it must be consistent. This will form the basis for your final project.

Presentation (15%)

You will present on what you are doing for your final project in one of the final three class meetings. Think of this as almost a workshop–your classmates will hopefully provide you with useful feedback. Presentations will be about ten minutes long, and at the very least you will have a wireframe for your project at this point.

Project (25%)

Your final project will be centered around a digital tool you came across throughout the course of this class. You will use this tool to develop a project tied to your major field of study. Additionally, you will write a two- to three-page reflection on the process of building your digital project.

Schedule


ReadingsTools
Week 1: What is DH?
Chapter 1 of Digital_Humanities by Anne Burdick et. al.
“The Humanities, Done Digitally” by Kathleen Fitzpatrick
DiRT
Digital Humanities Resources for Project Building
Folgerpedia Glossary of DH Terms
Week 2: Examples of DH ProjectsThe Fallen of World War II
Mapping the Republic of Letters
Music Encoding Initiative
The Valley of the Shadow
Slave Voyages

N/A
Week 3: Coding/Web Development“An Introduction to Coding for Digital Humanities,” Scott Kleinman
W3Schools
Code Academy
Week 4: Intro to Data Mining & VisualizationIntro to Digital Humanities by Johanna Drucker, Chapter 1 sections 4B-5B
Voyant
Tableau
Week 5: Networking“Literary Lab: Network Theory, Plot Analysis,” Franco Moretti;
“The Star Wars social network,” Evelina Gabasova
Gephi
Cytoscape
Week 6: Ethics of DHOn Not Looking: Ethics and Access in the Digital Humanities, by Kimberly Christen-Withey
“Building an ethical digital humanities community: Librarian, faculty, and student,” by Roopika Risam
“This is Why We Fight”: Defining the Values of the Digital Humanities, by Lisa Spiro
N/A
Week 7: Project ProposalN/A–but schedule a time to meet with me to discuss your ideas!
N/A
Week 8: EditingIntro to Digital Humanities by Johanna Drucker, Chapter 6A. Text Encoding: Mark-up and TEI
“Unimagined Worlds of Digital Humanities and Textual Editing,” by Fred Gibbs
DiffChecker
Juxta 
Week 9: Archiving
“The Archive as Repertoire: Transience and Sustainability in Digital Archives ,” by Miguel Escobar Varela
“From Archive Data to DH Practice: Starting a new Digital Humanities Project,” by Alok Amatya
Omeka Classic
Omeka S
Week 10: Mapping“What is the Spatial Turn?” Scholars Lab, University of Virginia
“GIS Analysis and Critical Issues” from Intro to Digital Humanities by Johanna Drucker
Google myMaps
StoryMapJS
Week 11: Digital Storytelling Part I: Audio Production“Digital Storytelling: New opportunities for humanities scholarship and pedagogy,” by John F. Barber
Tools for Podcasting by Jill Olmsted, Chapter 8: Audacity, GarageBand, Audition Editing
Audacity
Soundtrap
Week 12: Digital Storytelling Part 2: Video ProductionStoryCenter.comKineMaster
OpenShot
ShotCut
Week 13: PresentationsN/A–work on your final project!
N/A
Week 14: PresentationsN/A–work on your final project!
N/A
Week 15: PresentationsN/A–work on your final project!N/A